Sara Wookey, a dance artist, choreographer and scholar, reflects on Yvonne Rainerโs work Trio A (1966) through the lens of bodily and verbal transmission, methods of remembering and material pedagogical tools. She also discusses her own work, Punt.Point, which entered the collection of the Van Abbemuseum in Eindhoven in 2018. In the pursuit of reactivating and preserving dance and expanded choreographic practices in the art museum, what might be missing in the performance archive and in the recording of the transmission processes?
Thinking Performance Conservation Through the Prism of Relics and Icons
In this short essay, Andrej Mirฤev, a recently joined postdoctoral fellow, reflects on relics and icons and discusses how these concepts can shed new light on performance conservation. Can they also contribute to expanding our understanding of the field.
OPEN ACCESS PUBLICATION GRANT FOR THE SECOND VOLUME OF OUR ANTHOLOGY!
Performance: The Ethics and the Politics of Conservation and Care, Vol. 2 We are happy to announce that the second volume of our anthology Performance: The Ethics and the Politics of Conservation and Care has received a book grant from the Swiss National Foundation! With the support of this grant, we will be able to …
Continue reading "OPEN ACCESS PUBLICATION GRANT FOR THE SECOND VOLUME OF OUR ANTHOLOGY!"
Conserving a Performance about Conservation: Karolina Wilczyลska on Care and Preservation in Mierle Laderman Ukeles’s Maintenance Art
In Chapter 12 of our recently published volume, Karolina Wilczyลska explores Mierle Laderman Ukeles's Maintenance Art, contextualizing it within the notion of conservation.
We are hiring!
Come work with us as SNSF Postdoctoral Fellow, 75%, in our project Performance: Conservation, Materiality, Knowledge (2020-25). This is a short-term position that commences on April 15, 2024, and ends on January 31, 2025. Please refer to the full description of this position below.
Living materials โ Cori Olinghouse and Megan Metcalf on the ethics and principles for embodied stewardship
Artist and archivist Cori Olinghouse and art historian Megan Metcalf employ four illustrative examples to explore how an embodied approach to archives and acquisitions transforms traditional conservation paradigms. They critically examine the evolving vocabulary for the continuation of performance over the long term.
Reperformance, Reenactment, Simulation: Notes on The Conservation Of Performance Art by Jules Pelta Feldman
Pelta Feldman explores a novel perspective on preserving performance art by employing simulation. The article investigates how simulation effectively captures the historical context and experience of Marina Abramoviฤ's works.
“Performance: The Ethics and the Politics of Conservation and Care” now available in hardcover
Whether you're an academic, a theater and performance studies enthusiast, or someone with a keen interest in thought-provoking discussions, this hardcover edition is a tasteful addition to your reading repertoire. It's not just a book; it's a modest celebration of intellect and collaborative spirit.
New article: “Conserving Performance, Performing Conservation” by Jules Pelta Feldman
Our team member, Jules Pelta Feldman, has just published an article titled โConserving Performance, Performing Conservation: Kim Kardashian x Marilyn Monroeโ in the Studies in Conservation journal.
