Tag: Dance

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Coalescing Practices in Conservation and Performance, by Nicole Savoy

Once again, we invited Nicole Savoy, an alumna of the Hochschule der Künste Bern, Conservation of Modern Materials and Media, to report on our research festival. Nicole offers a conservator’s perspective on the performance conservation methods explored during the event, both traditional and radical. See also Nicole's previous reports on our third and second colloquium as well as her earlier review of our conversation with Claire Bishop.

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Conserving Performance by Performing Networks of Care, by Friederike Schäfer

Art historian and postdoctoral researcher Friederike Schäfer reflects on the fifth day of our research festival and exhibition, Conserving Performance, Performing Conservation (September 14–29, 2024). This event invited discussions among artists, activists, conservators, and cultural workers across sectors, with the thematic focus "Collecting and Preserving as an Act of Care."

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Collecting and Preserving Performance Art in Brazil: Establishing Protocols for Musealization in Public Museums, by Fernanda Werneck Côrtes and Anna Paula da Silva

The acquisition of performance art by museums in Brazil faces challenges due to its ephemeral nature, requiring living bodies, financial resources, and extensive documentation. To address this, the Musealization of Art (mARTE) research group has launched a project to create protocols that guide Brazilian public museums in acquiring and preserving performance art, focusing on cataloging, conservation, legal aspects, and activation history.

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Not, Yet: When Our Art is in Our Hands – Rebecca Schneider and Hanna Hölling

When we ask about how to conserve performance-based art, what are we asking? If we think of performance as itself a mode of conservation, what are we thinking? What is at stake in conserving changeability? Variability by design is as old as storytelling and the “changing same,” to quote Amiri Baraka, is a powerful mode of survivance. Thinking with hands, in this antiphonal call and response, a talking-with, Rebecca Schneider and Hanna Hölling consider what performance might teach us about endurance, duration, fungibility and the “not, yet.” What are the conditions in which the “not, yet” can thrive?

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Sara Wookey: Dance is Hard to See – Transmitting Trio A (1966) and other Acts of Preservation

Sara Wookey, a dance artist, choreographer and scholar, reflects on Yvonne Rainer’s work Trio A (1966) through the lens of bodily and verbal transmission, methods of remembering and material pedagogical tools. She also discusses her own work, Punt.Point, which entered the collection of the Van Abbemuseum in Eindhoven in 2018. In the pursuit of reactivating and preserving dance and expanded choreographic practices in the art museum, what might be missing in the performance archive and in the recording of the transmission processes?

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Urmimala Sarkar Munsi: On Dance and Preservation in India

Curious about how performance and dance conservation is practiced in India and what can be learned from Indian dance research and dance as research, the team of Performance: Conservation, Materiality, Knowledge has recently met with Urmimala Sarkar Munsi, who is an expert in social anthropology, dance studies and choreography.