Sara Wookey, a dance artist, choreographer and scholar, reflects on Yvonne Rainerโs work Trio A (1966) through the lens of bodily and verbal transmission, methods of remembering and material pedagogical tools. She also discusses her own work, Punt.Point, which entered the collection of the Van Abbemuseum in Eindhoven in 2018. In the pursuit of reactivating and preserving dance and expanded choreographic practices in the art museum, what might be missing in the performance archive and in the recording of the transmission processes?
Nicole Savoy on our Third Colloquium
In this guest post, Nicole Savoy, a masterโs student at the Bern Academy of the Arts studying the conservation of modern materials and media, reports on our third annual colloquium.
Nicole Savoy on our second colloquium
Guest contributor Nicole Savoy reports and reflects on our second annual colloquium, "Performance Conservation: Interdisciplinary Perspectives."
Nicole Savoy on Claire Bishop
Guest contributor Nicole Savoy discusses the team's recent public conversation with Claire Bishop, in which the art historian and critic responded to the question: "can performance art be conserved?"
