The research team Performance: Conservation, Materiality, Knowledge is pleased to announce the call for papers for our panel at the 36th Congress of the Comité International d’Histoire de l’Art, which will take place in Lyon, France, June 23–28, 2024. The theme of the conference is Matter Materiality. Read the description of our CFP and submit …
In advance of our third annual colloquium, Performance Conservation: Artists Speak, we collected responses from artists engaged with performance about their own thoughts and feelings on conservation and performance’s afterlives.
The artists have spoken: during our May 16 colloquium, a variety of artists engaged with performance presented their work and ideas about the relationship between performance and conservation. Read on to learn more.
https://www.youtube.com/watch?v=JT9NHCBqWuc&t=184s The recording of the introduction to the workshop with Rosanna Raymond from May 17, 2024. You are invited to join a workshop with artist and scholar Rosanna Raymond on Wednesday, May 17 from 10 a.m. to 3 p.m. (including a break for lunch) at the Amerbach Studios in Basel. On Tuesday, May 16, Rosanna …
Continue reading "A workshop with Rosanna Raymond on Moana Tatatau"
The related research project Activating Fluxus announces an online event investigating archival space as a site for activating artworks created since 1960.
How are performances transmitted across time through the modalities of ritual? Basel's Fasnacht celebrations offer a unique opportunity to consider the relationship between continuity and change.
Wednesday, February 22, 2023, 5 p.m. CET / 11 a.m. EST https://youtu.be/SAZGyEcGFXk Until April 1, you can purchase the book at 30% off using the code BARDOBJECT30. The SNSF research project Performance: Conservation, Materiality, Knowledge, in collaboration with the SNSF research project Activating Fluxus, is pleased to host a public presentation of the book titled Object-Event-Performance: Art, …
In her recent exhibition at New York's Shed, McClodden's installation did not only present documentation of dance, but also invited viewers to experience four different types of dance floors.
As performance plays an ever-greater role in art exhibitions, art objects previously considered inert are made to express performative aspects of their histories or forms.
Watch our interview with artist Gisela Hochuli about her performance In Strange Hands II.
Performance: Conservation, Materiality, Knowledge 