In this newly published article, art historian Jules Pelta Feldman challenges one of the most persistent assumptions in the history and theory of performance art: that performance is inherently ephemeral and therefore resistant to conservation. Focusing on artists who understood their actions as rituals rather than performancesโnotably Charles SimondsโPelta Feldman argues that ritual offers an alternative genealogy for performance, one that situates it within much longer histories of embodied practice, repetition, and cultural continuity.
Conserving Performance by Performing Networks of Care, by Friederike Schรคfer
Art historian and postdoctoral researcher Friederike Schรคfer reflects on the fifth day of our research festival and exhibition, Conserving Performance, Performing Conservation (September 14โ29, 2024). This event invited discussions among artists, activists, conservators, and cultural workers across sectors, with the thematic focus "Collecting and Preserving as an Act of Care."
